New kits spell success for pine marten reintroduction on Exmoor

A pioneering conservation project has released new evidence of its success in bringing the rare and endangered pine marten back to the South West of England.

Exclusive video footage gathered by the Two Moors Pine Marten Project shows a female marten with four of its offspring, known as kits, as they explore an Exmoor woodland. The film clip is the first proof that pine martens released by the project are breeding on Exmoor.

In 2024, the Two Moors Pine Marten Project reintroduced 15 pine martens to locations on Dartmoor. A further release of 19 pine martens followed on Exmoor in 2025. The reintroductions represented the first attempt to re-establish a sustainable breeding population of the tree-climbing members of the weasel family to the South West since they were hunted to extinction more than 100 years ago. The project followed similar successful initiatives in Wales (2015) and the Forest of Dean (2019) and is part of a national strategy to restore pine martens across England and Wales.

The Two Moors Pine Marten Project is led by Devon Wildlife Trust and involves a partnership of seven organisations including Dartmoor National Park Authority, Devon Wildlife Trust, Exmoor National Park Authority, Forestry England, National Trust, Somerset Wildlife Trust and Woodland Trust. It has been supported by the National Lottery Heritage Fund. 

Since their release, the pine martens have proved to be highly mobile, shy of people and difficult to see. However, the project now has proof that pine martens are successfully breeding in both Exmoor and Dartmoor. Confirmation of this success has come from footage captured by some of the dozens of trail cameras installed by the project.

One clip from an Exmoor camera captures the moment when a female pine marten and her four kits visit a trail camera which has been specially baited with peanut butter and fish oil – a combination of smells and tastes which pine martens love!

Ali North is the Two Moors Pine Marten Project Field Officer for Exmoor. Ali said: 

"These clips were recorded on cameras being monitored by one of our brilliant project volunteers. We were incredibly excited to finally see kits after so many months of intensive monitoring. Mothers give birth in March or April and have on average 2-3 kits, so to see 4 with their mum was an amazing sight and suggests that Exmoor is the perfect home for these animals.

The news of breeding pine martens marks a wonderful moment for our project staff, our project partners and the dozens of volunteers who have worked with us to bring this native animal back. This has been a community effort with local people helping us in a series of key tasks ranging from building pine marten den boxes to installing and regularly checking remote cameras. There are a whole host of ways woodland owners can continue to help pine martens recover and we'd encourage anyone interested to get in touch."

Ali Hawkins, Senior Ecologist at Exmoor National Park Authority, said:

"Seeing pine martens breeding on Exmoor is a hugely encouraging milestone for nature recovery in the National Park. It shows what can be achieved through careful partnership working, long-term monitoring and the support of local communities. While this is very positive news, the population remains small and vulnerable, so continued public support and reporting of sightings will be vital as we help this native species re-establish itself."

Nigel Garnsworthy, Restore Nature Delivery Manager at the National Trust, said:
"The arrival of pine marten kits on Exmoor is a fantastic sign that these animals are beginning to establish themselves once again in the South West. This milestone reflects the strength of partnership working across the Two Moors Pine Marten Project and the dedication of volunteers, landowners and conservation organisations working together to restore nature at a landscape scale."

Similar clips of a female pine marten and offspring were recorded by the project on Dartmoor in 2025 confirming that breeding had taken place there. Now further film footage from Dartmoor suggests that pine martens have bred for a second successive year. Film showing a mother and two kits was captured by two Dartmoor residents, Tim and Rachael, on land close to where they live in the Wray Valley. Tim and Rachael said: 

"Since moving to the Wray Valley last year, we have been extremely lucky, as we have managed to capture quite a few trail cam videos of pine martens in the woods behind where we live. 

 

We have only ever filmed a single one at a time, so we couldn't believe our eyes when we downloaded this video of a mother with her two kits, playing alongside her. We feel very fortunate to have experienced this sighting and so glad to see the success of the Two Moors Pine Marten Project!"

 

Despite the breeding success of pine martens on Exmoor and Dartmoor the project is keen to stress that the animal's comeback to the region is still in its early, fragile stages. 

Daniel Brown is the Two Moors Pine Marten Project Field Officer for Dartmoor. Daniel said:

"Pine martens live at low density – meaning there aren't many of them around, even when they become established in a landscape. They are also slow breeders - giving birth to just one litter each year. This means their population growth is only gradual.

This makes their populations vulnerable to losses in road accidents, while trapping and poisoning from rodenticides are also a threat.

The vulnerability of the species means we're very keen to hear from people who see pine martens in Devon, Cornwall or Somerset. Sightings are vital in helping us track the progress of these elusive animals and landowners with trail cameras may also like to take part in our Citizen Science Woodland Survey."  

The Two Moors Pine Marten Project wants to hear from people who might have spotted a pine marten in the South West of England, especially if they have photographic evidence and details of the location. The project is also appealing for help from landowners on Exmoor and Dartmoor who own woodlands and who have access to their own trail cameras.

 Exmoor pine marten mother and 4 kits. Photo credit Two Moors Pine Martins Project

 CLICK HERE TO VIEW EXMOOR PINE MARTIN MOTHER & KITS video footage on Devon Wildlife Trust Youtube Channel

 Dartmoor pine marten mother and 2 kits. Photo credit Two Moors Pine Martin Project.

 

Contact details for the project along with lots more information about pine martens can be found at www.twomoorspinemartens.org

About the videos: 'The videos of pine marten kits were recorded in undisclosed Exmoor and Dartmoor woodlands. The Exmoor video shows a female and kits visiting a 'T-bar' used by the project and baited with peanut butter and fish oil. T-bars are used to attract pine martens so that the project can record the animals' presence on trail cameras. We estimate the kits in these films to be approx 3 months old. They appear slightly smaller than their mothers, while in the Exmoor video the mother also has a collar. This is a GPS tracker given to all the released animals'.

Photography, Identity and Complex Care at Heanton Nursing Home

Some people spend their lives searching for ordinary comforts like a favourite song on the radio, the warmth of a cup of tea or the sight of birds in the garden. Others spend their lives searching for the edge of the world.

Martin Baker was always drawn towards the latter.

Long before Martin moved into Heanton Nursing Home, he travelled across some of the world's most amazing places. Antarctica. Namibia. Morocco. India. The Arctic. Places filled with extraordinary wildlife, cultures and landscapes that few people ever witness with their own eyes.

His camera became more than something to take photographs with. It became how he understood the world around him.

Growing up, Martin developed a resilience that would shape the rest of his life. Diagnosed with diabetes at just nine years old, he faced challenges from an early age, yet those closest to him remember someone who persevered through almost everything life placed in front of him.

His family still affectionately describe him as a "daredevil". One of his favourite photographs captures a rhino charging directly towards him, while another unforgettable adventure took him aboard an icebreaker in Antarctica, where he spent three weeks camping in freezing conditions and travelling through waves reaching twenty feet high. While many around him became seasick, Martin somehow remained completely unaffected.

Even a serious car accident caused by a diabetic hypo became, in Martin's telling, another remarkable story. After crashing upside down into a tree, he walked away physically unharmed, something he still speaks about with pride.

Yet alongside his adventurous spirit there has always been sensitivity too. Despite being a smoker, Martin stopped smoking completely throughout his time in Antarctica because he did not want to pollute the untouched environment he had travelled so far to experience.

Today, Martin lives at Heanton Nursing Home with bipolar disorder and changing cognitive needs. There are moments when frustration can rise if he loses the words he wants to say, but the team understand that these moments are not something to correct. They are often an expression of emotion, confusion or the distress of losing hold of a thought that mattered.

Rather than drawing attention to what Martin cannot remember, conversations are gently guided back towards the parts of his life that continue to bring him confidence.

Today, his photographs from those journeys cover the walls of his room. Wildlife frozen in single moments of intensity. Memories captured from a life lived with enormous curiosity and determination.

When the team sit with Martin and begin talking about his photography, they often notice an immediate change in him.

"You can see him light up," one member of the team shared.

Alongside those conversations are the familiar comforts that make each day his own: a strong coffee in the morning, cigarettes throughout the day, naps whenever he feels tired and time spent walking around the home chatting with those around him. There is no expectation for Martin to fit into somebody else's routine.

At Heanton Nursing Home, complex care is about understanding the person behind the diagnosis. It is about recognising what brings comfort, confidence and connection, while protecting the identity that has been built over a lifetime.

For Martin, that identity still lives in the stories of his travels, the extraordinary wildlife he photographed and the adventures that continue to shape the conversations he enjoys today.

To read the whole story:  Photography, Identity and Complex Care at Heanton Nursing Home - Heanton Nursing Home

The Burton at Bideford presents 'A Joyful Parasite’ by Saelia Aparicio.

The Burton at Bideford presents 'A Joyful Parasite', the largest commission to date by Spanish-born, London-based artist Saelia Aparicio. Through sculpture, murals and installation, the exhibition creates an imagined ecosystem of curious hybrid creatures, inviting visitors to explore transformation, belonging and our connections with the living world.

Playful, humorous and visually captivating, 'A Joyful Parasite' reflects The Burton's commitment to bringing ambitious contemporary art and distinctive artistic voices to North Devon. Saelia draws on folk mythologies, biology and science fiction to create imagined worlds where the boundaries between humans, animals and plants begin to dissolve. Often working with reclaimed materials, she invites us to think differently about care, coexistence and the ways living things adapt and thrive.

Commissioned by Baltic Centre for Contemporary Art, Gateshead, in partnership with Southwark Park Galleries, London, and The Burton, 'A Joyful Parasite' marks an important moment in The Burton's programme. The partnership reflects a shared commitment to supporting ambitious new commissions and ensuring that significant contemporary art is developed and experienced across the UK.

Harriet Cooper, Director of The Burton at Bideford, said: "Supporting artists to realise ambitious new work is an important part of what we do at The Burton. Through this partnership, we're delighted to bring Saelia's work to North Devon, giving audiences the chance to experience a major new commission they might otherwise have to travel elsewhere to see. What makes her work so compelling is the way it combines humour, imagination and beautifully crafted sculpture with ideas that feel deeply relevant today. It's full of warmth, curiosity and generosity, inviting us to see the natural world—and our place within it—with fresh eyes."

The title, 'A Joyful Parasite', asks us to reconsider how we value different forms of life. Inspired by the hierarchies humans often place on the natural world, Saelia imagines the perspective of a parasite—simply living the life it is meant to live. Rather than dividing the world into useful and harmful, welcome and unwelcome, the exhibition encourages us to think more generously about coexistence and the many ways living things support, depend upon and adapt to one another.

At the heart of the exhibition are three sculptural characters inspired by the butterfly’s life cycle: the caterpillar, the chrysalis and the butterfly. Together they represent different stages of transformation, offering a simple and universal metaphor for change. Visitors move through a landscape of hybrid figures that appear joyful, vulnerable and constantly evolving. Humour and tenderness sit alongside moments of unease, creating an exhibition that is both welcoming and thought-provoking.

Plants and flowers weave throughout the exhibition as symbols of identity, belonging and place. National flowers occupy positions of pride hanging from the ceiling, while overlooked plants and so-called weeds quietly flourish at the edges. Saelia is interested in how the same plant can be understood differently depending on where it grows: rhododendron ponticum is native to parts of Spain where it is now endangered, while in Britain it is widely established as an invasive species. These shifting perspectives ask us to reconsider how we define belonging and remind us that the meaning of a place—and of the life within it—is always changing.

Presented in North Devon, within the UNESCO Biosphere that stretches from the River Torridge to the surrounding coast and countryside, 'A Joyful Parasite' feels especially resonant. In a landscape shaped by the close relationship between natural systems and human activity, The Burton is a place where conversations about ecology and belonging feel especially immediate. At a time when these themes continue to shape public life, Saelia offers a hopeful response, celebrating resilience, coexistence and the possibility of flourishing in unexpected places.

Saelia Aparicio said: "Every living being just wants to live more and wants a better life. Communities aren't only a human thing—plants, animals and every living being want to thrive too. That's where the idea of 'A Joyful Parasite' comes from."

Rich with unexpected encounters, moments of wonder and playful discovery, 'A Joyful Parasite' invites visitors of all ages to look more closely at the living world and discover that transformation often begins with changing the way we see one another.

Installation View. 'Saelia Aparicio, A Joyful Parasite at Baltic Centre for Contemporary Art ©️Saelia Aparicio -Photo Reece Straw(All rights Reserved)

‘Saelia Aparicio: A Joyful Parasite’ runs from 1 st August – 4th October 2026 at The Burton at Bideford, Kingsley Road, Bideford EX39 2QQ. Free entry. For more details see www.theburton.org or get in touch at info@theburton.org. 

Opening Hours:Tuesday to Saturday 10am–5pm ] Sunday 11am–4pm

Free entry  

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Exhibition Credit/Artist Biography